- #Newbluefx for sony vegas 14 free pro
- #Newbluefx for sony vegas 14 free software
- #Newbluefx for sony vegas 14 free professional
- #Newbluefx for sony vegas 14 free tv
Suhaib, I believe this item came with my Sony Platinum Suite v13. That is also market dependent, I have seen European shows edited on Quantel.Thanks for that info.
#Newbluefx for sony vegas 14 free tv
The incredibly short schedules for TV pretty much live on the sharing infrastructure setup between AVID stations. Each platform as a way of exporting tagging and conforming media so that when you move from one system to another each person can know they are looking at the correct clips.įor episodic television Avid is all I see. So the editors who are doing all the logging and tagging of performances may not be doing the final cuts of the work. Projects are commonly shared between parts of production. You really should use an editing program to do effects and color work because most of the time it limits the ability of professionals to collaborate using much higher quality tools geared to those tasks.Īs far as markets I have seen Avid, Final Cut and Premiere used in feature motion pictures. It is really important to see how these programs work with finishing tools. It is pretty important to be using the tools that others in your industry expect.
#Newbluefx for sony vegas 14 free software
Some software no matter how great has no traction in that market. I grinned broadly at the author's comparison of Lightworks to a flatbed! Of course it is! This is the only review I have read that distinguished between a young editor willing to learn new software and an old dog.Įach of these softwares targets a different market segment and has different requirements. I carry my settings and jog shuttle with me. I've flirted with X, with Premiere CS6 and many others Incite, Edius, Media 100 but I still love my Avid. I remember the older FinalCut versions had absolutely idiotic shortcuts - I think D was mapped to "Duplicate clip" or something silly.Ĭutting on the Avid is like being married: she grows on you and nothing else feels right. Placing the playhead where you want it and knowing the equivalents of XCVB and match-frame gets 90% of the job done.
#Newbluefx for sony vegas 14 free professional
Like most professional editors, I can edit on pretty much any system that you throw at me. I've been editing since the days when tape was pre-striped and when "hit record" required a mental countdown during pre-roll. But since that other toolkit is undoubtedly deeper and wider than Vegas, why would you bother?ĭespite the “Pro” in Sony Vegas, this toolset seems caught below the threshold of what most professionals now need, and it sells above a price -point where it can compete with amateur/hobbyist products like those reviewed in part two of our series. If you are familiar with another major NLE-and you want to take the time-you can re-map your keyboard to put your most often used commands where your muscle memory believes them to be.
#Newbluefx for sony vegas 14 free pro
Adobe’s Premiere Pro and FCPX (via XML) are surprisingly well supported. Vegas Pro will, however, pick-up projects started in other editors. Sony headed down the path of companion programs-notably Sound Forge, for audio sweetening and sound design-but got lost in the desert. Vegas Pro is bundled with plugs and presets from NewBlueFX. But Sony committed to speaking OpenFX, the protocol running under plug-ins from several market leaders. Native effects and filters in Vegas Pro are limited. Perhaps it'd consider a bundling deal which more appropriately prices Vegas Pro? The company seems to have retreated to its consumer 3D Handycam. This may be the last, best hope for this package: Sony introduced-then discontinued-its professional 3D XDCAM (TD300) 3D video camera. The good news is Vegas Pro hosts most of these with ease on its ecumenical timeline.Īnd Vegas edits 3D stereo with easy auto-pairing in the timeline. But even small projects these days seem to attract a swarm of media formats from a candy store of cameras: REDs, GoPros, DSLRs, mirror-less minis, smarter phones, digital cinema cams.
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